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About Digital Art / Professional Kunal DeshpandeMale/India Groups :iconmakeoverretouch: MakeoverRetouch
Retouching, Photography, etc
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After+before by kunalrdeshpandey2k After+before :iconkunalrdeshpandey2k:kunalrdeshpandey2k 0 1 Rocket - Soratemplates by kunalrdeshpandey2k Rocket - Soratemplates :iconkunalrdeshpandey2k:kunalrdeshpandey2k 0 0 Dark Side by kunalrdeshpandey2k Dark Side :iconkunalrdeshpandey2k:kunalrdeshpandey2k 0 0 Animator vs Animation III by kunalrdeshpandey2k Animator vs Animation III :iconkunalrdeshpandey2k:kunalrdeshpandey2k 2 1 glass ganpati-1 by kunalrdeshpandey2k glass ganpati-1 :iconkunalrdeshpandey2k:kunalrdeshpandey2k 1 0 Glass Ganpati by kunalrdeshpandey2k Glass Ganpati :iconkunalrdeshpandey2k:kunalrdeshpandey2k 0 0 Ganpati-3 by kunalrdeshpandey2k Ganpati-3 :iconkunalrdeshpandey2k:kunalrdeshpandey2k 0 0 Ganpati-2 by kunalrdeshpandey2k Ganpati-2 :iconkunalrdeshpandey2k:kunalrdeshpandey2k 0 0 Ganpati by kunalrdeshpandey2k Ganpati :iconkunalrdeshpandey2k:kunalrdeshpandey2k 0 0 Fragment Core by kunalrdeshpandey2k Fragment Core :iconkunalrdeshpandey2k:kunalrdeshpandey2k 5 0 Tight Writer by kunalrdeshpandey2k Tight Writer :iconkunalrdeshpandey2k:kunalrdeshpandey2k 6 0 Old Newspaper Types font by kunalrdeshpandey2k Old Newspaper Types font :iconkunalrdeshpandey2k:kunalrdeshpandey2k 6 4 Special Elite font by kunalrdeshpandey2k Special Elite font :iconkunalrdeshpandey2k:kunalrdeshpandey2k 16 0 posing techniques by kunalrdeshpandey2k posing techniques :iconkunalrdeshpandey2k:kunalrdeshpandey2k 51 1 white magic by kunalrdeshpandey2k white magic :iconkunalrdeshpandey2k:kunalrdeshpandey2k 0 0 Grid Portfolio by kunalrdeshpandey2k Grid Portfolio :iconkunalrdeshpandey2k:kunalrdeshpandey2k 0 0


This is ART Icons by Svengraph This is ART Icons :iconsvengraph:Svengraph 580 180 Non-Destructive Dodge and Burn by Tiberius47 Non-Destructive Dodge and Burn :icontiberius47:Tiberius47 18 10 Shutter Speed, Aperture, ISO by Tiberius47 Shutter Speed, Aperture, ISO :icontiberius47:Tiberius47 1,018 459 Bracketing by Tiberius47 Bracketing :icontiberius47:Tiberius47 19 2 Filters for Digital Cameras by Tiberius47 Filters for Digital Cameras :icontiberius47:Tiberius47 14 20 Basic Exposure Settings by Tiberius47 Basic Exposure Settings :icontiberius47:Tiberius47 154 61 White Balance by Tiberius47 White Balance :icontiberius47:Tiberius47 32 11 Mephisto by igormazulevphoto Mephisto :iconigormazulevphoto:igormazulevphoto 685 77 12 Exclusive SkinTones by Ikaax 12 Exclusive SkinTones :iconikaax:Ikaax 545 83 Stop SOPA by chokingg Stop SOPA :iconchokingg:chokingg 1 0 Skin Brushes by env1ro Skin Brushes :iconenv1ro:env1ro 4,487 841 Painting Brushes - Highquality by Honeyball-Cookie Painting Brushes - Highquality :iconhoneyball-cookie:Honeyball-Cookie 850 71 Skin and Cosmetic Brushes 3in1 by KeepWaiting Skin and Cosmetic Brushes 3in1 :iconkeepwaiting:KeepWaiting 2,547 200
5 Tips for Portrait Photography
Taking high quality portrait photos is an art that requires specific knowledge from photographer.
Follow these tips:
A portrait photo should have a passive background that doesn't take away the attention from the object. Use a soft solid color background for example. But if you want to take a photo in the outdoor background you should blur it. Notice if something protrude from behind the object. Sprouting branch from head doesn't look pretty.

Blurring the background by using a zoom lens and shooting from a short distance or by using manual setting. You can always blur the background later on using photo processing software on your computer.

The most important part of the photo is the face. The portrait photographer should put his attention in the eyes and try to show their emotions and feelings.

People in your photos shouldn't ha
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Reverse Lens Tutorial by larafairie-stock Reverse Lens Tutorial :iconlarafairie-stock:larafairie-stock 687 281 Female Burlesque Stock 53 by FairieGoodMother Female Burlesque Stock 53 :iconfairiegoodmother:FairieGoodMother 6 0


My photography business is built on invisibility. An Eric who is not there is a good Eric.

By that I mean that as a wedding photographer, my job is to capture the celebration. I don't create smiles, tears, joy, laughter; I record them. There's a huge-mongus distinction. In fact, the more involved I am with the subjects, the less likely it is that those special moments will actually happen when they perceive that I'm around. Denis Reggie refers to it as the ubiquitous lens. Everywhere and nowhere. My clients love me for it. And yours will too. I've included some comments from my clients below to illustrate how much this means to them.

Using these seven tips is as good as downing a full bottle of Acme Invisible Potion (at a fraction of the cost). Hope it tastes better, too.

Keep Moving

1- Keep Moving

You are a vapor in the wind. The longer you stay in one spot, the more people are going to notice you. (The exception is the ceremony, of course, but for the rest of the day, you need to be very mobile.) There will be times when you find something amazing happening and you're in the perfect spot and you need more than twenty seconds to nail it. Cool. But don't linger too long. Hit and run. Besides not being noticed, you'll find that if you move you'll see another angle, another expression, different lighting, a better background on the same scene. Adjust, nail it, and move again.

Think about the servers at the reception. When is the only time you notice them? When they are standing against a wall (not doing their job). Same with you. Get a move on, Jack.

"He had a way of being virtually invisible during the event." – Robyn, Mother-of-the-Bride


2- Telephoto

This is the opposite of that "Shoot from the Hip" tip and is obviously preferable to it in many circumstances. Back away from the action and shoot with the telephoto. This is common sense. Telephoto in a crowd not only moves you far enough away from the subject that you won't be noticed, but you crop out a lot of the clutter. Go with a wide aperture and shooting telephoto isolates the subject via depth of field as well. I'll explain this example image in the comments.

"The most wonderful part about it was the fact that I don't even remember seeing Eric snap the shots." – Mary Ellen, Bride.

Look AROUND The Kids

3- Look AROUND The Kids

When is absolutely no one going to notice you? When there are cute kids doing cute things. And when are adults going to be smiling and laughing with no self-consciousness? When there are cute kids doing cute things. You just hit the jackpot.

Obviously, you want to shoot the cute kids doing cute things, but as soon as you've nailed it, zoom out to see moms, uncles, friends laughing at the kids. Include them in the pics with the kids if possible. If not, shoot the adults on their own.

"Eric has a wonderful talent of telling the story of your special day through his pictures." – Jennifer, Bride.

Use Natural Light

4- Use Natural Light

Sometimes you need the flash, but if you can get away without, give it a shot. Of course, it helps to have really fast lenses. This shot was taken wide open with a 50mm 1.4. Backlighting on a bride's veil is always nice. This is right before the father walks her down the aisle and he's getting his last look at her before the doors open and he gives her away. Very poignant moment in almost every wedding. It's just the two of them and the wedding director and me in the vestibule. Using a flash would have been pretty distracting. I'm standing as still and quiet as I can, trying to capture and not distract.

"He was always around, but did not interrupt any of our special moments of the day." – Ginger, Bride.

Bounce the Flash

5- Bounce the Flash

No matter how fast your lenses, you'll need to use flash in a lot of instances. And it's awfully hard not to be noticed when you have a flashing light attached to your head. Solution? Turn that thing around and bounce it off a wall behind you. The flash is pointing the other way and it's like someone is taking a picture in the opposite direction. I could write 43 pages on the many benefits of bounce flash. (And I'm not talking about straight up off the ceiling. Hello, raccoon eyes.) One of those many benefits is that you are less noticeable to the subject.

"The pictures really captured the feeling of our wedding." – Beth, Bride.

Keep Shooting

6- Keep Shooting

The natural tendency when you've shot a formal shot is to put the camera down and start getting ready for the next one. But some of the best candids you'll get all day are the ones between the posed shots. (Yes, I do shoot posed shots.) Keep that trigger finger itchy. The subjects are not expecting you to keep shooting and they are much more natural in those few seconds. In this picture the guys had just broken up from a posed shot and someone cracked a joke resulting in 11 great smiles and a really fantastic image.

"He has an exceptional talent for capturing the true emotion of the moment." – Audrey, Bride.

Shoot From the Hip

7- Shoot From the Hip

There are times when you are really close to the action and you know that as soon as you raise your camera, you'll ruin it. People can feel that camera and everything changes. Don't do it. Shoot from the hip. This works best if you have a wider lens on, preferably 24-70mm or so. Shoot a few, zooming out a little and moving the camera slightly between frames. You can be almost positive you got the right angle, but moving the camera between frames gives you a little insurance. Review the images discretely without moving your body and shoot again.

I don't do this often because it is slightly risky. Only when I'm caught in a jam. But it's fun when it works. This works especially well with kids. Shooting from the Hip puts the camera on their level.

"Eric was so discrete, even taking photos with his camera down by his side!" – Amy, bride.

Get Low

8- Get Low

It wont take long in the wedding industry to know that guest lists can get out of control. The result is that the reception venue gets a little crowded. They booked a hall that holds 150, but 273 just walked in the door. In this image, it was time for the toasts, and there was no room to breathe. I was right on top of the Bride and Groom and I really didn't want them staring square into a lens. So I crouched down. The result was not only that I got out of their faces, but they are much more isolated in the image. Instead of them being lost in a sea of people, it's just the happy couple.

"Everyone who sees the pictures comments on how stunning they are and how honestly they capture the spontaneous, beautiful moments of our wedding that would be lost with more traditional, posed shots. " – Kate, Bride.


Kunal Deshpande
Artist | Professional | Digital Art



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Ikaax Featured By Owner Jan 23, 2012  Hobbyist Digital Artist
Thanks for faving ^^ :ahoy:
artistamroashry Featured By Owner Sep 9, 2011  Professional Digital Artist
Hi, Thanks 4 the fave
pinkhimawari Featured By Owner Feb 9, 2010  Hobbyist Digital Artist
thanks for the fav! :floating:
xyle Featured By Owner Dec 15, 2009
Athena-av Featured By Owner Nov 28, 2009  Hobbyist Digital Artist

visit my gallery anytime :D
RedVinken Featured By Owner Jul 16, 2009  Student General Artist
thx for the fav :)
Geishaninja Featured By Owner Aug 19, 2008
Welcome to DA.:wave:
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